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Quick Glance at the gifts and attributes of a
good content editor |
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ability to listen, hear, and understand the author's concerns and vision
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can quickly get up to speed on almost any subject |
is always available for author questions and consultations |
can identify and understand the needs of the audience (reader) |
can determine the appropriate depth of editing |
has very strong sense of structure and excellent organizational skills |
has good writing, grammar, and copyediting skills |
has an ear for language (diction and idiom) |
can make technical passages and complex concepts accessible to the average
reader |
can keep the text focused on communicating ("speaking") directly to the
reader |
can correct unclear writing or faulty logic |
knows when it's necessary for the author to rewrite and/or add text |
will unabashedly write new text when appropriate |
can emulate author's usage, style, and tone when rewriting |
knows how and when to use humor, analogies, examples, etc., to maintain
and increase reader interest |
can create appropriate parts, chapters, bullet lists, sidebars, and graphics
to improve flow and readability |
can catch "isms" and prejudices but is not compelled to be politically
correct |
can spot legal problems with trademarks, citings, etc. |
has ability to develop a strong author-editor relationship |
will challenge the author to give his or her best |
is compulsive, but not overly |
is flexible, but not overly |
reads, reads, reads, and reads—any and all types of material |
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Books Available |
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Content editing is "the pearl of editing services." Elizabeth L. Dugger—from Writing A-Z |
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The Editing Process—Why Every Manuscript Needs One |
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In
the process of writing a book-length manuscript you go through so many stages and drafts that once you've proofread your "final draft" you might think that all the really hard work is done. Unbelievably
there is still much more to do. It's called editing.
Writing and editing are two very different writing processes that use different parts of the brain. Editing is the
bridge a text must cross before it can graduate into a professional document, and entails a far more extensive process than many people realize. In book publishing there are four major editors,
two that extensively work on improving the content and tone of the manuscript. The
acquisition editor sometimes works with the author to decide and develop the broader themes of a manuscript, although the acquisition editor's primary job is to analyze the book market
and find and sign authors.The content editor (also called the developmental editor) works extensively with the author to ensure clear development and expression of the
whole manuscript. The content editor then hands the manuscript over to the production editor. The production editor
schedules and manages the entire production process, which includes preparing the manuscript for typesetting, finding a printer, and hiring and supervising workers, including the fourth editor, the copyeditor.
The copyeditor (line editor) goes through the manuscript line by line to check for proper word usage, consistent style and tone, correct grammar and
punctuation, and correct cross-references. The copyeditor creates parallel structure within the text, changes the passive voice to active, eliminates wordiness and jargon, and smoothes out
sentence and paragraph transitions to improve readability. Copyeditors are the last line of defense against sloppy writing. These four editors are responsible for moving a book from
raw manuscript to bound book. But it is the content editor and copyeditor who substantially improve the actual text and bring the best out of any manuscript. Most manuscripts NEED these two
professional editors. No one, even the seasoned author, should publish his or her material without these two editors. At a minimum, have a professional copyeditor go
through your manuscript. This is imperative if you are self-publishing. Proofreading is NOT copyediting, and will seldom bring the best out of your manuscript. Read on to see what a content
editor can do for your manuscript, or jump to the 5 Reader
Turnoffs. For a career profile on editors, go to fabjob.com. |
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What a Content Editor Does |
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In a publishing house a content editor (also developmental editor) is the only person an
author works closely with to substantively improve the manuscript. He or she is the author's creative collaborator and best friend, partnering
with an author to write, develop, and prepare a manuscript for production. (The collaboration can also include consultation to plan the organization and features of the work before most of the writing begins.) The content editor is also the leading advocate of the manuscript within the publishing house and champions the author's interests and vision. This is especially important when the content editor is working with a book team to brainstorm the title and book cover design, and altering and/or adding content to meet the recommendations of marketing, sales, and reviewers. So it is not unusual for the author-content editor relationship to last several months and involve a slew of e-mails and communications.
Over this period of time the content editor evaluates the manuscript to determine whether the material is organized in the best possible way and challenging the author on cloudy
explanations, vague assumptions, faulty logic, errors of fact, inconsistencies in information or points of view, and sloppy examples and analogies. The content editor will also suggest or provide
clearer explanations, anecdotes, analogies, or illustrations and will make sure the manuscript is true to its outline and that everything, from front matter to back matter, is in order. He
or she will add or delete headings, identify gaps in content, either writing or describing the needed text so the author can provide it. The content editor also rewrites and restructures
the text to fit the format, deletes outdated content, or content that does not adhere to the desired theme, tone, or marketing focus. Often the content editor is responsible for selecting,
creating, and placing figures and tables. The content editor also provides the marketing/publicity department with a copy of the manuscript, called a review copy, (often before it's
copyedited), as well as biographical updates. Finally, the content editor prepares the manuscript for the managing editor (or production editor) who then assigns a copyeditor and then works
with the copyeditor, answering all copyedit queries. Although content editors organize, cut, rewrite, clarify, format, stylize, and can write as much as edit, their main focus is on clarifying ambiguities, correcting conceptual problems, and
maintaining the tone of the manuscript,
ensuring that it's addressed to the particular audience the author and publishing house envisioned it for.
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